The Johnson Collection, Spartanburg, South Carolina Finding the Right prints-works-on-paper for Youĭecorating with fine art prints - whether they’re figurative prints, abstract prints or another variety - has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home. The subject of a 1984 mid-career retrospective exhibition held at the Pennsylvania Academy of the Fine Arts, the artist’s work can be found in public collections across the United States, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Hirshhorn Museum and Sculpture Garden, as well as in many international museums. something to go against.”ĭespite his affinity for defying the mainstream, Grooms is routinely cited by scholars as one of the leading American artists of his generation and was honoured with the National Academy of Design’s Lifetime Achievement Award in 2003. Like Duchamp, Grooms often deliberately confronts the art world establishment, noting in 1974 that “it’s good to have. Grooms’ disparate output is so difficult to classify that he has been compared to the influential Dada artist, Marcel Duchamp. Relying on satire and caricature, Grooms’ art has paid homage to a wide range of artists including Rembrandt, Auguste Rodin, Thomas Eakins, and Benjamin West, as well as national icons like Thomas Jefferson and Chuck Berry. ![]() Grooms is perhaps best known for his colourful and comedic commentary on the culture, politics, and figures associated with the American urban environment and art historical traditions. In this example, Grooms combines silkscreened and lithographic elements with a wooden base and acrylic dome to create a three-dimensional portrait of the famous Surrealist artist. There, he found quick success and a supportive circle of artists that became close friends and collaborators.įrom the start of his career, Grooms has worked in multiple media, from painting, printmaking, and sculpture, to installation art, filmmaking, and theatrical experiences known as “Happenings.” Much of his art blurs the boundaries between these different forms, such as his large-scale, carefully-crafted environments he calls “sculpto-pictoramas,” and smaller objects like Dalí Salad. Frustrated with the academic track and anxious to enter the New York art scene, Grooms abandoned formal education to focus exclusively on creating art and securing exhibition opportunities in his Chelsea neighbourhood. ![]() A self-proclaimed “restless and undisciplined student,” Grooms spent the next few years moving between schools and cities, including the New School in New York, Peabody College (now part of Vanderbilt University) in Nashville, and Hans Hofmann’s summer school in Provincetown, Massachusetts. Nicknamed for his ginger hair, Red enrolled at the Art Institute of Chicago in 1955. ![]() His art is included in the collections of thirty-nine museums, including the Art Institute of Chicago, the Museum of Modern Art in New York, the Whitney Museum of American Art, the Metropolitan Museum of Art, Cheekwood Botanical Garden and Museum of Art in Nashville, the Montgomery Museum of Fine Arts, the Cleveland Museum of Art, the Carnegie Museum of Art, and the Knoxville Museum of Art, among others.Charles Roger Grooms was born in 1937 in Nashville, Tennessee, a city that, with its lively honky-tonk scene and the theatricality of the historic Grand Ole Opry, would later influence much of his work. ![]() Grooms' work has been exhibited in galleries and museums across the United States, as well as Europe, and Japan. Since then, Grooms has “made a career of affectionate parody,” according one critic, through satirical, pop culture-infused prints and sculptural tableaux in homage to his adopted city as well as renderings of important literary, artistic, historical, and cultural personalities. The comic-book inspired interactive installation included iconic landmarks-the subway, Central Park, the Apollo Theater, the Woolworth building-populated by life-sized wooden figures of prostitutes, thieves, gamblers, tourists, shoppers, and families, revealing the city’s grit as well as its glamour. “I wanted to do a novelistic portrait of Manhattan from Battery Park to Grant’s tomb,” Grooms explained. About Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City.
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